NAB_08 (II)

VON Julie ColombetZUM Sonnabend Letzte Bearbeitung: 15. Januar 2015 um 19 Uhr 23 Minuten

 

Digital Cinema Summit 2008

Auf der NAB-Website - Stand 3. KW 2008 - wird diese Veranstaltung als "Training"-Session angezeigt. Eine Bewerbung im Rahmen des NAB-Calls for Papers war nicht möglich. Also sind offensichtlich SMPTE und das Entertainment Technology Center die eigentlichen Drahtzieher dieser Veranstaltung, die wie folgt angekündigt wird:


The Digital Cinema Summit will address issues relevant to Hollywood and the global film industry’s transition to digital technology. Top content creators, packagers and distributors convene with theatrical exhibitors, broadcasters, and others working in all aspects of digital cinema. Topics to be addressed at the Summit include digital cinematography, stereoscopic production, art direction, digital intermediate workflow, d-cinema mastering, 2D and 3D distribution, issues in exhibition, anti-piracy, and the progress of the standards process.

Die Session des heutigen Tages wird Mitte Januar wie folgt angekündigt:

8:30 a.m. - 8:45 a.m. Session Opening Remarks

8:45 a.m. - 10:00 a.m. Digital Cinematography: From HD to 4K

10:00 a.m. - 10:45 a.m. Report from ASC: Look Management and its Relationship to Digital Cameras

11:00 a.m. - 12:00 p.m. Stereoscopic Movie Making

1:00 p.m. - 2:00 p.m. KEYNOTE: To be Announced

2:00 p.m. - 2:15 p.m. News from DCI

2:15 p.m. - 3:00 p.m. Spotlight on Projection Technology: Is Laser Light Source Practical?

3:15 p.m. - 3:30 p.m. Digital Cinema Standards: An update on SMPTE DC-28

3:30 p.m. - 4:30 p.m. The Production Pipeline: Digital Intermediate Takes over

4:30 p.m. - 5:30 p.m. New Dimensions - New Challenges: Real World Experience with 3D

Bei einem erneuten Besuch der Seite Anfang April macht sich das Program wie folgt aus:

7:30 a.m. - 8:30 a.m. Digital Cinema Breakfast

8:30 a.m. - 8:45 a.m. Session Opening Remarks

8:45 a.m. - 10:00 a.m. Digital Cinematography: From HD to 4K

Digital cameras for motion picture origination continue to surface. New generation 2/3-inch 3-imager HD acquisition technology has recently arrived. Single sensor systems based on variants of the 35mm image format are also in the marketplace. A lively industry discussion on the promise of 4K has garnered global attention. These panelists, representing these exciting new technologies, will discuss the merits of each.


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Moderator

- Laurence Thorpe, National Marketing Executive, Boradcast/Comm, Canon USA, Inc.


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Panelists

- Peter Centen, Group Leader R&D, Thomson Grass Valley

- John Galt, Sr. VP Advanced Digital Imaging, Panavision

- Bill Lovell, Managing Director, ARRI Media,

- Yasuhiko Mikami, Sr. Manager, Planning Dept, Sony Corporation

- Graeme Nattress, RED Digital Cinema : Problem Solver, Nattress Productions Inc. President / CEO / Head of R&D

- Rick Robinson, Director of Marketing, Vision Research

- Dan Rosen, CTO, Dalsa Digital Cinema

10:00 a.m. - 10:45 a.m. Report from ASC: Look Management and its Relationship to Digital Cameras

How can the Cinematographer best control his photographic vision with digital cameras? How can the director and cinematographer assure that the captured images will support artistic vision throughout the production process? What tools are needed in post production to achieve a consistent look?

Moderator

- Curtis Clark, Chairman, ASC Technology Committee

Speakers

- Lou Levinson, Senior Colorist, Post Logic Studios


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- Josh Pines, Vice President of Imaging Research and Development, Technicolor Digital Intermediates


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- Liz Hinlein, 3cP Operator, GAMMA & DENSITY CO. INC.


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11:00 a.m. - 12:00 p.m. Stereoscopic Movie Making

3D image capture ha introduced a enw set of creative tools for use by the Cinematographer - along with new challenges. Learn about the technical advancements and creative innovations from today’s pioneers in stereoscopic production.

Moderator


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- Buzz Hays, Sr. VFX Producer, Sony Picture Imageworks


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Panelists

- Jim Mainard, Head of Production Development, DreamWorks Animation

- Steve Schklair, CEO, 3ality Digital Systems

- David C. Seigle, President, In-Three, Inc.


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1:00 p.m. - 1:30 p.m. KEYNOTE: Eberhard Sinner

Keynote

- Eberhard Sinner, Head of Bavarian State Chancellery, State of Bavaria


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1:30 p.m. - 2:00 p.m. Special Presentation - Introduction to CineGrid

This presentation will introduce CineGrid, a non-profit membership organization whose mission is to build an interdisciplinary community focused on the research, development, and demonstration of networked collaborative tools to enable the production, use and exchange of very-high-quality digital media over photonic networks.


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Presenters

- Paul Hearty, Ryerson University

- Laurin Herr, President, Pacific Interface, Inc.

- Michal Krsek, CESNET

- Felix Nevrala, CinePost

2:00 p.m. - 2:15 p.m. News from DCI

Digital Cinema Initiatives, LLC, a major force behind digital cinema, was created by six major motion picture studios: Disney, Fox, Paramount Pictures, Sony Pictures Entertainment, Universal Studios and Warner Bros. Studios. This session will provide an update on progress in setting standards and implementing a compliance testing program.

Speaker


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- Al Barton, Vice President, Digital Cinema Technologies, Sony Pictures Entertainment

2:15 p.m. - 3:00 p.m. Spotlight on Projection Technology: Is Laser Light Source Practical?

The enjoyment of motion pictures is all about lighting up the theater screen with engaging images that tell a story. For over fifty years, short-arc Xenon lamps have provided the light to make movies possible. But is that about to change? Recent advancements in laser technology open the prospect of projection systems with longer life, extraordinary efficiency and a vastly expanded color gamut.

Moderator


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- Casey Stack, President, Laser Compliance

Presenters

- Bill Beck, Founder and CEO, Laser Light Engines

- Greg Niven, Exec VP of Marketing, Novalux, Inc.

3:15 p.m. - 3:30 p.m. Digital Cinema Standards: An update on SMPTE DC-28

A comprehensive set of industry standards has enabled digital cinema to become reality. This session will provide a first-hand update of the extensive progress in standards activity within the SMPTE digital cinema committees, and will explain what’s in store for the next phase of standardization.

Speaker

- David Schnuelle, Sr. Director, Image Technology, Dolby Laboratories

3:30 p.m. - 4:30 p.m. The Production Pipeline: Digital Intermediate Takes over

With several years of work and hundreds of features "in the can", there have been many lessons learned about the evolving digital production pipeline. Virtually every major movie distributed today comes from a digital intermediate. How is 4K affecting the workflow? Can we use compression to streamline the process?

Moderator


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- Wendy Aylsworth, Sr. Vice President, Technology, Warner Bros.

Panelists
- Mitch Bogdanowicz, VP of Imaging Science, Post Logic Studios

- Siegfried Foessel, Dr. Ing, Frauhofer IIS

- Glenn Kennel, Vice President/General Manager, Feature Film, Kodak Laser Pacific

4:30 p.m. - 5:30 p.m. New Dimensions - New Challenges: Real World Experience with 3D

Just when you thought you mastered the art of digital video production, along comes stereoscopic production to make your life even more interesting. This session will address some of the interesting challenges and creative solutions that have recently emerged in release of 3D films.

Moderator


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- Howard H. Lukk, VP, Production Technology, Walt Disney Studios

Presenters

- Wendy Aylsworth, Sr. Vice President, Technology, Warner Bros.

- John Nicolard, Head of Digital Production, FotoKem Digital Film Services


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